![]() ![]() ![]() Niles’ songs are insightful, ripe with social commentary, sarcasm and humour delivered with Gang’s razor-sharp diction, steely tone and killer phrasing. The sound is a dynamic fission of rock, pop, latin and jazz. KATALYST defies categorization – unfalteringly unpredictable and unequivocally unexpected. Guest sax solos were provided by young New York tenorist JOHN ELLIS and British phenomenon NIGEL HITCHCOCK on alto sax. Also on board was bassist STEFAN REDTENBACHER known to his friends as “the Austrian Governor of Funk”. Young ultra-hip virtuoso British bassist/composer JANEK GWIZDALA (Mike Stern, Randy Brecker) co-wrote a couple of songs and arrangements while STEVE HAMILTON (Bill Bruford, Tommy Smith) and the brilliant CLIVE DUNSTALL contributed keyboards. The Invisible Stranger by Docc Hilford PKTouches by Steve Shaw Magic Orthodoxy from Texas. Discover (and save) your own Pins on Pinterest. For the KATALYST project Niles brought in drummers DANNY GOTTLIEB (Metheny, McLaughlin), and the late, great CHRIS DAGLEY. This Pin was discovered by Ann Shoobridge. It is a great pleasure to make this music available for the first time. Mokele by Phill Smith $3.KATALIST – Real Songs For An Unreal World In 2006, Boston born jazz singer KATHERINE GANG ( approached songwriter, producer, composer, arranger, guitarist RICHARD NILES. This was the catalyst for them to work on a group project, KATALYST.Smoke And Mirrors by John Bannon – eBook $5.99 Add to cart.Everest by Thaddius Barker $1.99 Add to cart. ![]() To the person experiencing this phenomena, it seems to defy logical explanation.ĭownload now and start learning! Related products This package contains a PDF Ebook that teaches you how to use the gimmick, as well as giving you access to two training videos with a combined duration of almost 30 minutes long.įor completeness, other methods and the history of this effect are discussed, including the method Ali Bongo taught to Jonathan Royle which is ideal for one-to-one personal performances. This uses a non-electronic, non-thread-based, self-contained gimmick which you are taught to easily construct for less than five dollars ($5). Still, you never physically touch them at any time. Volunteers will Genuinely Feel themselves being either touched or, if you so desire, “Kissed” by an unknown, invisible spirit energy-type force.įor the record, they do genuinely feel something and it is not just all in their mind. Yet, despite what I have just stated, no pre-show work is required, no stooges, no Hypnosis, no electronic devices, no threads of any kind, etc. No matter how observant somebody is or how closely they watch, there is absolutely nothing to be seen - you genuinely NEVER PHYSICALLY TOUCH THEM AT ANY TIME. Indeed, you can perform this surrounded under the closest scrutiny in “test conditions”. It is also entirely true and accurate to state that with Ghost Kiss, absolutely no invisible threads, elastic or electronic devices of any kind are used at any time. You never have to physically touch the person under the cover of misdirection or, indeed, at any other time during the performance. With Ghost Kiss, things are different - very different. (Such effects include Steve Banachek Shaw’s Psychokinetic Touches, Lior Manor’s Invisible Touches, Peter Turner’s Midas Touch on the one hand, all the way through to D’Angelo’s Touch and Morgan Strebler’s Touched.) No doubt you are also already aware that, in many other effects of this type, you ultimately do have to touch the volunteer - either yourself or using a gimmick under the cover of misdirection. As the audience confirms, you never touched the volunteer of the experiment at any time. Somebody feels that they were physically tapped on the shoulder or touched on some other area of their body whilst you stood a major distance from them. ![]() You already know the basic premise of the effect. ![]()
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